The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York), 1104.003

Did Taliesin have outhouses?

A 1911 Taliesin floor plan showing Wright’s living room, kitchen, and his bedroom. The kitchen has a sink and his bedroom had a bathroom with a toilet, sink, and bathtub.
This Taliesin I floor plan, 1104.003, is at the Avery Library in New York City and can be seen online at ARTSTOR.

People want to know: over 110 years ago when Frank Lloyd Wright was building his home out in the country (and public utilities were so not a thing), did Taliesin have an outhouse at any time? Even early on?

I was asked this question many times while giving tours, and asked again last week while giving a presentation, so that’s why I decided to address it.

Taliesin probably didn’t have an outhouse

The floor plan you see above (and shown, completely, online here) shows a large section of Wright’s living quarters as he was designing it in 1911. I showed it because you see that he planned for a home that had a sink in its kitchen, as well as running water in the bathrooms.1

although he didn’t design faucets or hardware for his home

Wright’s approach to getting water to Taliesin was quite ingenious. You see, Taliesin stands about 3 miles (just under 5 kilometers) from the village of Spring Green in Southwestern Wisconsin. So there was no help there even if Spring Green had had a water tower. In 1911, then, if he wanted running water he had to do some tricks.

His aunts’ school (the Hillside Home School, less than a mile away) got its water by using watermills (including Wright’s Romeo and Juliet windmill). Wright did not do that at Taliesin. There was, however, a creek in the valley in which Taliesin sits. He used a hydraulic ram to pump water from the creek up to a reservoir on the hill behind it. The hydraulic ram worked when a drop in the water happened, which took place via a waterfall. He created a waterfall by damming up the creek running through the valley. He completed damming up the creek in early 1912.

The press hearing about Taliesin’s dam

We know his timetable for getting the water going because on December 26, 1911, Wright told visiting reporters about the dam. That’s when they bombarded came to Taliesin upon finding out he was living there with Mamah Borthwick. This is written at the end of that Chicago Tribune story:

Then Mr. Wright called to a worker to bring the visitor’s horses. As he stood waiting in the courtyard he talked a little of his bungalow. . . .

There is to be a fountain in the courtyard, and flowers. To the south, on a sun bathed slope, there is to be a vineyard. At the foot of the steep slope in front there is a dam in process of construction that will back up several acres of water as a pond for wild fowl.

Note that the newspaper story says that the dam is “in process of construction”.

Taylor Woolley (draftsman for Wright in 1911-12) took a photograph around that time. It shows the state of the dam’s construction:

Taliesin photograph by Taylor Woolley.
© 2011 Utah State History. All Rights Reserved.

This is a cropped photograph by then-draftsman Taylor Woolley. The internet address of this at the Utah Historical Society is here. The photograph looks (true) southwest at the dam being constructed (at the bottom of the photo), with Taliesin seen against the hill above. This photograph is one of over 40 photographic negatives by Woolley that show Taliesin and the Taliesin grounds. Those negatives are available here.

Another photograph by Woolley shows the new waterfall:

Photograph by Taylor Woolley of dam and pond at Taliesin
© 2011 Utah State History. All Rights Reserved.

Looking (true) east over the Taliesin dam and waterfall. Photograph taken in early 1912 by then-draftsman, Taylor Woolley. This photograph is online here. All of these photographs can be seen in the book, Building Taliesin: Frank Lloyd Wright’s Home of Love and Loss, by Ron McCrea.

Looking at the weather, it looks like the photo was taken in later winter (maybe February?). The hydraulic ram (getting water to the house) was powered by the waterfall.

Wright, about the dam

Wright wrote about the dam, and getting water to Taliesin, in his autobiography (first published in 1932):

Each court had its fountain and the winding stream below had a great dam. A thick stone wall was thrown across it, to make a pond at the very foot of the hill, and raise the water in the Valley to within sight from Taliesin. The water below the falls thus made, was sent, by hydraulic ram, up to a big stone reservoir built into the higher hill, just behind and above the hilltop garden, to come down again into the fountains and go on down to the vegetable gardens on the slopes below the house.

Frank Lloyd Wright, An Autobiography, in Frank Lloyd Wright Collected Writings: 1930-32, volume 2. Edited by Bruce Brooks Pfeiffer, introduction by Kenneth Frampton (1992; Rizzoli International Publications, Inc., New York City, 1992), 226.

The Chicago Tribune (on December 26, 1911) tells us he was working on the dam. Woolley’s photograph show the waterfall, which means the hydraulic ram was working. So, it appears that Wright had running water at Taliesin by midwinter.

And, while it no longer works, Taliesin’s dam educated me about hydraulic rams.

Thus, the short answer to the question, “Did Taliesin have outhouses”? appears to be NO.

Plus, he (and then Mamah) were only living there for months before he got water running. Where the heck could they go to the bathroom? Well, his sister lived across the way in the house that he designed for her and her husband. In fact, the two homes: Taliesin and Tan-y-deri, are in view of each other (the word Tan-y-deri, like the word, Taliesin, is Welsh; see the Tan-y-deri link for the definition of the word).

Originally published August 5, 2021


1 There were two bathrooms on the main floor of Taliesin’s living quarters.

Dam, waterfall, and hydro-house at Frank Lloyd Wright's Taliesin

My Dam History

In early fall 2019, the Frank Lloyd Wright Foundation began work on Taliesin’s dam on Wright’s estate in Wisconsin. Hopefully, they’ll finish the work in 2022. Then, the Frank Lloyd Wright Foundation will again fill Taliesin’s pond. Once that happens, visitors will see the waterfall running on the north side of the stream.

Those working in preservation for the Frank Lloyd Wright Foundation did a segment on the work in a Facebook feed in August 2020 that’s pretty cool. It included an explanation of what they were doing and why.

This recent work made me think about the historic photographs of the waterfall (like the one above) and my study of them, so that’s what my post is about today. My study of the dam led into how I approached the study of Taliesin’s history overall.

My start in the dam history

I first came across a lot of photographs (or photocopies) of the dam and waterfall that winter I worked in the Preservation Office. My work was mostly arranging photos into binders so people could find them later.

I wrote about arranging those photographs associated with Taliesin a couple of blog posts ago. Those photos included 33 of the dam/waterfall. As those features weren’t near the building at all, I worked to figure out when the photos were taken. Sometimes the photos would be postcards that had been sent, so I could get a “taken by” date on them. Other than that a lot of times I figured out things at Taliesin by a game of “spot the difference” (like those cartoons you used to see in the newspaper on Sundays).

Since I only found four photographs with dates attached to them, I figured out their dates by looking at things around them. I looked closely at the stone, the heights of trees, and the thickness of tree branches. When I finished (and so I could keep the memory of what I learned) I wrote these things down into a short document. I named it: “Preliminary research into the construction history of the Lower Dam on the Taliesin Estate”.

Or, as I called it, “My Dam History” (usually said loudly to anyone who would listen). What I put below is based on the things I learned then, and what I found out in the years since.

Wright on his dam:

Wright began construction on his home in April or May 1911 and began building the dam by the end of that year or the beginning of the next. He wrote that, aside from creating the pond,

[T]he stream… had a great dam. A thick stone wall thrown across it, to make a pond at the very foot of the hill, and raise the water in the valley to within sight from Taliesin. The water below the falls thus made, was sent, by hydraulic ram,1 up to a big stone reservoir built into the higher hill, just behind and above the hilltop garden. . . .

Frank Lloyd Wright. An Autobiography (Longmans, Green and Company, London, New York, Toronto, 1932), 173.

So, because of the hydraulic ram, Taliesin had running water.

It’s also the reason why Taliesin probably didn’t have outhouses. I wrote about that in a post in August, 2021.

Early Dam photos:

A photo of the dam in its initial construction is below:

Taliesin photograph by Taylor Woolley.
© 2011 Utah State History. All Rights Reserved.

Wright’s draftsman, Taylor Woolley, took the photo in the winter of 1911-12. It shows Taliesin at the top photograph and at least one wall built for the dam/pond at the bottom. You can see photographs of the early completed waterfall if you look at the book, Frank Lloyd Wright’s Taliesin: Illustrated by Vintage Postcards, by Randolph C. Henning.

A Hydro-house Constructed for Electricity

Close to 15 years after Wright first started Taliesin, he decided to take advantage of the waterfall’s power. So, he designed and built a hydro-electric generator at the dam. This was finished in early 1926.2

The hydro-house is in the photo at the top of the page

It’s the little structure to the right of the falls in that photograph. The hydro-house was similar to Taliesin: it had the same materials and angle on the roof, and the same color plaster on the parapet like what you found on the stucco walls at the house. People made postcards showing it, which is how I got the image above. A former co-worker gave it to me after finding it in a box of postcards while he and his wife were at a county fair.

But the stucco wall that you see wasn’t at the falls for very long. Water from the falls probably sprayed the stucco wall constantly. However, the hydro-house machinery was safer under under the roof. So the generator ran more-or-less successfully for about 20 years before Wright had it taken out.

Bad photocopies made for interesting lessons:

Oh, and I forgot this: for the most part, I was looking at 3rd, 4th, 7th generation photocopies. So I had to figure out images from what were basically blotchy dots.

To give you a sense of what I was seeing, I took the scan of that dam photo above and messed with it. I changed contrast and kept making copies of it. That’s what I below. Actually the image here looks better than what I remember seeing (eventually, I got better versions of most of the images).

But, the initial poor quality of the images made me really work on my analytical side. And it taught me to stop and start looking very closely at things. It’s think:  was that one stone a little bit different than one seen in another photo? Did it look like it had a few chunks taken out of it compared to what I saw before? Is there a new stone to the left of those three stones there? Is there less plaster on the wall?

Another thing about this work (looking at stone and the size of tree branches to figure out which photograph was taken earlier or later) was trying to block out preconceived notions on what I might expect to see in an image.

The end of my work days:

I might spend the afternoon looking at three photographs, going from one to the other with a loupe (a magnifier). The office used to be a horse stable at Taliesin, and had the sound of Taliesin’s waterfall as my backdrop.

It’s helpful especially with Wright’s home, because Wright often had things drawn there that never existed; or would change things while the features were being built. Like that hydro-house: it looks really cool in that photograph but as I wrote above, the waterlogged plaster was probably coming off it within a week. Trying to clear my brain when I looked at spaces hopefully stopped me from wasting time on some theory.

In addition, the end of this process meant that at times when people (tour guides, visitors to Taliesin, architects, other Frankophiles) asked something about a room, I could walk them through it at different times (because I’d spent hours walking through the spaces in my head). I found myself on at least one occasion saying, “It doesn’t look like that now, but it used to.”

And most of these people have never been there when I answered “what did you do at work today?” with, “I looked at some stone. And figured stuff out.”

Links below:

Here are hyperlinks at the Wisconsin Historical Society of photographs showing Taliesin’s waterfall with the hydro-house, after the removal of the parapet:

https://www.wisconsinhistory.org/Records/Image/IM25845

https://www.wisconsinhistory.org/Records/Image/IM60721

https://www.wisconsinhistory.org/Records/Image/IM25573

First published February 24, 2021

I own the postcard seen at the top of this post. I don’t know who the photographer was. They probably took the photo in 1926 or 1927.


Notes:

1 A hydraulic ram is one of the many things I’ve learned about while working at Taliesin. If you’ve ever been near a hydraulic ram you hear a constant clicking sound as the water is forced up vertically. I think about that when people talk about the sounds of Taliesin. It gets pretty darned quiet at night in the country so the hydraulic ram would have a sound, I imagine, close to the sound of the ticking of a distant clock.

2 Architectural historian Kathryn Smith wrote an article with former Wright apprentice Don Kalec on photographs taken of Taliesin, apparently by Clarence Fuermann, on three occasions. One of these is a photograph showing the hydro-house. It was published in the Journal of the Organic Architecture + Design Archives and includes over 50 archival photos.