In the late 00’s, I wrote a “comprehensive chronology” of Wright’s Hillside building with the principal of Cornerstone Preservation (which specializes in architectural research and planning). This led me to reading all of those old newspapers I wrote about recently. The post where I detailed some of what you learn by reading old newspapers.1
It’s a short, intense, introduction to Hillside, a building on Wright’s Taliesin estate. It’s intense because Hillside (the Hillside Home School) was once designed by Wright for a school, then was added to, and changed, beginning 30 years later. It includes a dining room and kitchen, an assembly hall and studio, and a theater.
The Hillside Home School on the Taliesin estate was originally designed by Frank Lloyd Wright in 1901, added onto by him in the 1930s and ’40s and changed by him after a fire occurred there in 1952. “Hillside” seems to be the only building by Wright that shows, distinctly, 4 time periods in his work, spread out over half a century.
The oldest part of the building (1901-02) looks over a dining room rebuilt and reconstructed under Wright’s direction in the 1950s. Down the hall again from the oldest part (and through a 1901 hallway), is the Hillside Drafting Studio, designed and built in the 1930s. A walk outside brings you to the Theater foyer, which Wright did in the late 1940s, right next to the theater, also redesigned after the 1952 fire. So, in Hillside, you jump back and forth in time through Wright’s designs from 1901 to the last part, completed in 1955.
The building was commissioned initially by two amazing women who were aunts of Frank Lloyd Wright’s: Ellen (“Nell”) and Jane (“Jennie”). The structure served their school, which was also known as the Hillside Home School. Everyone in the area (including the schoolchildren) knew them as Aunt Jennie and Aunt Nell, or just “the Aunts”. The school was a coeducational day and boarding school that served children grades 1-12 and ran from 1887 to 1915. Wright actually designed three buildings for the Aunts: the “Home Building”,* a dormitory and library, built in 1887 (when Wright was 20); a windmill, “Romeo and Juliet”,* built when he was 30; and the Hillside Home School structure, finished when he was 36.
Those three structures were within a school campus that had additional housing, a greenhouse, a laundry, and a barn with horse stables.
Here are some hyperlinks to photos at the Wisconsin Historical Society that show things at the school:
If one were to go through Hillside today, you would just see the Hillside Home School and the Romeo and Juliet Windmill. Wright slowly eliminated the other school buildings, destroying the last one in 1950.
OK! So I gave you the basic background, here’s info on the school and Jennie and Nell Lloyd Jones.
Nell (1845-1919) taught instructors in kindergarten education. Jennie (1847/8-1917) was the head of the history department at the River Falls Normal School.
Ok, why did Wright call her “Aunt Jane” in his autobiography when you keep writing “Aunt Jennie”? I think he introduced her as Jane because he had a sister named Jane, who was apparently known as Jennie.
It’s more complex than I knew before I started giving tours in the 1990s. To me, kindergarten was that fun school I went to as a little girl where we took a nap each day.
But kindergarten was a method of teaching children invented by Germany Friedrich Froebel (froy-bel). He created these learning devices called the “Froebel Gifts” that were designed to teach children about the underlying geometry in nature.2
Here’s the 99 Percent Invisible podcast episode about the Kindergarten & Froebel:
Thanks to Wikipedia, I now know that “Normal Schools” were schools for teaching people how to be teachers (as opposed to being just “normal”).
The Aunts gave Chase her first teaching job. While I wish I could copy everything she wrote, I’ll give you this:
Chapter IV, “The Hillside Home School”, p. 85-121.
[D]uring the three years I lived and worked with [the Aunts], they always took me by surprise and left me in wonder…. I was later to understand how together they gave the warmth and the fire, the stability and the strength, the soul and the spirit which for nearly thirty years sustained and supported the most wholesome and abundant of schools….
The students who went to the Hillside Home School included:
In 1907, the Weekly Home News (Spring Green’s newspaper), ran a story on the school and stated that by that year those who graduated from Hillside were automatically accepted into the University of Illinois at Chicago, or to Wellesley College.
Below is the link to the short piece I was asked to write in early 2020 while at Taliesin Preservation. It was from a call from the National Trust for Historic Preservation 1000 Places “where Women Made History”:
Their ages, economic problems caused by poor real estate choices, a lack of a successor and, yes, the murders at their nephew’s home less than a mile away (in August 1914) were among the reasons the Aunts had to close their school. They sold the buildings and land to Wright and died a few years later.
The buildings were unused between 1915 and 1932. In the late ‘teens-early twenties, Wright was working in Japan on the Imperial Hotel in Tokyo,* then had commissions in California. Then another devastating fire occurred at his house in 1925, followed by lots of personal, legal, and economic problems (that are too numerous to go into here).
In 1928, he started thinking about using the buildings for a school (he called it the “Hillside Home School of the Allied Arts”). That didn’t go anywhere for a variety of reasons. So, in 1932, he and his third wife, Olgivanna, opened the Taliesin Fellowship, an architectural apprenticeship program, with him at the head. 23 apprentices arrived that October to work with Wright. At his home, Taliesin, he converted the former hayloft, horse stable and cow barn into dormitory rooms.
Upon founding the Taliesin Fellowship, Wright sent the apprentices to work at Hillside. They built onto the existing school by starting a 5,000 sq. foot drafting studio with eight dormitory rooms on each side. By November of the next year, they had converted the school’s gymnasium into a theater, named the Playhouse by Wright. Here are links to a couple of photographs that show the Hillside Drafting Studio and the Playhouse:
While construction of the Hillside Drafting Studio began pretty early in the Fellowship history (1932? 1933?), it wasn’t completed until the end of the 1930s. It’s cute to read accounts by Taliesin Fellowship apprentices in the mid-’30s, about how the drafting studio would soon be finished, knowing it wasn’t done until July 1939. They wrote a weekly newspaper entitled “At Taliesin” (these were found, transcribed, then edited and put into a book by Randolph C. Henning).
Once the Fellowship and Wright moved into the Hillside Drafting Studio, all of the drafting work in Wisconsin was done there (not in his first studio at his house).
Here‘s for a photo of Wright working in the Hillside Drafting Studio. It’s from the collection of photos by his photographer, Pedro Guerrero. I don’t know, but I would imagine that having the larger space with less distraction was a goal for working with young architectural apprentices. The only outdoor light came from clerestory windows above and two doors on the north side of the room.
I’m not sure what happened while World War II was going on, but drafting was definitely done in the studio when World War II was over. I looked at one of the major books cataloguing Wright’s architecture (William Allin Storrer’s The Frank Lloyd Wright Companion) to count the number of commissions. Looks like about 240 buildings were designed of worked on during the warmer months in Wisconsin at Hillside studio from 1945 until Wright’s death in 1959.
By 1948 he added a foyer onto the Playhouse. That’s in part because by 1948, he was spending every winter in Arizona at Taliesin West. So, the foyer is made mostly out of stone with no insulation. I’ve not seen ice inside the building in April, but I have seen my breath in the cold (as of September 2020, tours don’t go into Hillside after Halloween and before May 1).
I don’t know if Wright would have changed things at Hillside in the 1950s, but a fire, caused by brush, happened on April 26, 1952. It destroyed the part of the building that had the 1901 classrooms on the building’s south side. The fire also mostly destroyed the Playhouse. In the edition of The Weekly Home News on May 1, Wright said “… the building will be much better looking…” when he rebuilt it. And that, “That smoke-tone is wonderful… I couldn’t have darkened it so evenly if I’d done it myself. Nature is God’s technician.”
The building was cleaned up in the summer of 1952 with construction happening the following two summers (click here for a photo of Wright by Pedro Guerrero supervising an apprentice Kelly Oliver on the roof at Hillside during reconstruction). The building was apparently complete by Wright’s birthday, June 8, in 1955.
This Hillside Theater (or Theatre depending on how fancy you feel) has two sections of metal seats, set into poured concrete and 90 degrees to each other.
Because this part of the building was constructed during the summer, Wright didn’t seem to care so much about drainage or things of that nature. After more than 50 years, this was a growing concern. The Frank Lloyd Wright Foundation received a Save America’s Treasures grant for the Theater, announced in 2018. Restoration work began in 2020.
*full disclosure: I first wrote that piece on Wikipedia.
First published 9/23/2020.
The photograph at the top of this post shows the Hillside Assembly Hall and was taken by me in 2008.
1 In part, you learn that a lot of people died 100 years ago from, say, fever, dropsy, appendicitis, or what happens when you lean your loaded shotgun against tree while jumping over a fence (note: it it’s in the newspaper, it probably fell over, shot you and killed you).
2 The first kindergarten was in Wisconsin.
Never in my life have I been given a more sensitive and comprehending tour of anything, anywhere. Listening to her talk about Wright and looking at everything she pointed out, I felt as if my eyes had opened to twice their normal size."
Whenever I have a question regarding anything Taliesin-related Keiran Murphy is the first person I turn to."
… her knowledge of Frank Lloyd Wright is close to astonishing. Over many years she has simply absorbed him—and his beloved Taliesin—into her bones.” “I am in awe at her willingness—her delight—in sharing what she knows with others."