Postcard of crowd at Taliesin. Caption on card: "WEST WING. WRIGHT'S BUNGALOW". Property: Patrick Mahoney

What is the oldest part of Taliesin? Part II

A postcard looking (plan) northeast at the western façade of Taliesin’s hayloft, summer (the hayloft is under the roof). Because the collection of people are unexpected at a farmhouse, Randolph C. Henning (who collected this postcard), thinks this was taken the day after Taliesin’s 1914 fire and murders.

I wrote The Oldest Thing at Taliesin (stuff that goes back to 1911-12), and was going to leave it at that. But before I posted, I realized there were too many things to point out. I needed to divide it into two posts. So, that was part I.

Here’s part II.

Like last time, I’m going back to stone because it’s the easiest material to trace at Taliesin. That’s because Taliesin’s shingles, wood, and plaster has to be replaced. And I’m not sure how much of the window glass at Taliesin goes back to 1911-12.1

Therefore, in 2010,

Taliesin Preservation‘s Executive Director taped a printout of the picture at the top of this post onto my computer monitor.

In 2005, she (Carol) also told me about “The Album” on auction at the online site, Ebay.

Architect and writer, Randolph C. Henning, had sent her the scan of the image. Although he knew what you see in this image (the courtyard on the other side of Taliesin’s Hayloft), he wrote asking for help on any research on the rest of the images in his upcoming book, Frank Lloyd Wright’s Taliesin: Illustrated by Vintage Postcards (this image is on p. 39).

I’d never seen anything like that image because

you can’t really see this view today.

Why?

Because that nutter changed his house all the time, of course.

A similar angle of view is in the photo below:

Exterior photograph looking at the roofs Taliesin. Photograph taken in 2005 by Keiran Murphy.

I took this photograph from the roof of Taliesin’s former icehouse. The photograph is looking northeast according to Taliesin’s plan direction. Taliesin’s “Work Court” is one floor below.
I was up on this part of the roof with a member of the Preservation Crew. He was showing me details on the re-roofing. And, NO, you cannot stand on this roof while you’re on a tour.2

Almost nothing in this photograph matches what you see in the c. 1914 postcard at the top of this post.

But,

even though everything’s different here’s what got my attention: the stone pier under the hayloft.

THAT is still there! Here’s a comparison of the 1914 photo and the photo from 2004:

Looking (plan) southeast in Taliesin's "Work Court". In view: stone, roofing, plaster and windows in the courtyard.

In the Work Court, looking southeast according to Taliesin’s plan direction. This photograph has the stone pier that I saw in the 1914 postcard. The image below has both the old and new photos, with the stones in the pier compared.

Photographic comparison between 1914 Taliesin photograph, and digital photograph from 2004.

Here’s the stone pier in a close-up of the two photographs:

 

Close-up of stones in 1914 photograph and photograph from 2004.

TA-DA!


More Taliesin 1911-12:

The next photo appeared in 1911. I first saw it two years ago when the Chicago Tribune treated us all to was in a published article:

Looking east at Taliesin's agricultural wing.
In view behind trees: hayloft of Taliesin. Car [?] garage on the right. First published 12/29/11. Unknown photographer. (Chicago Tribune historical photo)

This photograph was taken December 25, 1911. The photographer was looking east/southeast (according to Taliesin’s plan direction) at Taliesin’s agricultural wing in 1911. The photo was taken on that day when Wright gave the disastrous press conference at Taliesin.

This, and the article that included it,

made me so happy that I wrote a post about it: “This is FUN for me…“.

Props go to Stan Ecklund on Facebook who, in 2020, first alerted me (and other Frankophiles) to this article. Stan created and curates two Wright-based groups on Facebook, The Wright Attitude, and Wright Nation. The “WA” is a private group, but Wright Nation on Facebook is public, here. If you are in the WA group, Stan posted the link to the article in the Tribune on Dec. 4, 2020.

Again, you can’t see the same view today because of Wright’s changes at Taliesin.

But I found a photo on Wikimedia Commons that’s shot from a similar angle. That’s below:

Photograph of Taliesin roofs taken on July 4, 2018.
By Stilfehler. This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International License.

Looking (plan) southeast to the chimney that’s in the photograph from 1911 in the Tribune.
Taken by Stilhefler while on a tour. Click the photo to see it on-line.

I am not publishing the second photo from the Chicago Tribune. Most of what you see in the second photo cannot be seen on a tour and if you read “This is FUN for me…”, I explain it some more.


Then there’s the Hill Crown:

And its retaining wall:

Looking (plan) south at the stone retaining wall at Taliesin's Hill Crown. Photo by Keiran Murphy.

I took this photograph in April, 2005.

Most likely, there are other parts of the retaining wall that go back to 1911. However, I do not think you’ll be able to look at those places for any length while on a tour at Taliesin.


Lastly, I’ll show something else you can see on tours:

Wisconsin Historical Society, Fuermann Collection, ID# 83113

This was also published in Architectural Record magazine in 1913. Here’s where I wrote about it.

Look at the pier on the right, with the pool. The open windows on the right are at the kitchen (today it’s called the Little Kitchen). Every tour you take at Taliesin walks near that pool.

I put a present-day photo of it, below. The person who took this photo in 2018 also took the one above.

Photograph of pool next to the "Little Kitchen" at Taliesin. Taken on July 4, 2018.
By Stilfehler. This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International License.

Taken in the Breezeway at Taliesin. Looking (plan) southeast at the stone veneer on the west wall of the Little Kitchen.
Photo from July 4, 1918, by Stilhelfer. Click the photo above to see it on-line. You’ll see that this photo has been cropped.

I love this area.

Wright changed things so much at Taliesin that I’m intrigued when he didn’t.

That’s all I’ve got the time to show you right now.

So, thanks again for coming along!

 

Published November 26, 2022
Randolph C. Henning acquired this and sent this to the Executive Director of Taliesin Preservation while he was working on Frank Lloyd Wright’s Taliesin: Illustrated By Vintage Postcards. You can see the photo on page 39. Henning sold his collection to Patrick Mahoney, AIA.


Notes

1 I could go and point out windows that seem like they were at Taliesin in 1911-12, but I dunno.

2 “WHAT – do you think we’d just walk onto the roof?”
No, I do not think you would.
However: one time a person arrived at the Frank Lloyd Wright Visitor Center in January or February and wanted to know if they could go into the buildings on the Taliesin estate. I asked, “Did you see the notice on our website that there are no tours at Taliesin until May 1?” The person replied nicely that, “Yes, we saw that. But you didn’t say the estate was closed.” So I’m double checking.

The Home Page of The Wayback Machine Home Page from Archive.org

Behold: The Wayback Machine

The image above is a screenshot from the home page of “The Wayback Machine“, which is explained below.

Here’s part of the explanation of The Wayback machine in Wikipedia:

The Wayback Machine is a digital archive of the World Wide Web. It was founded by the Internet Archive, a nonprofit library based in San Francisco, California. Created in 1996 and launched to the public in 2001, it allows the user to go “back in time” and see how websites looked in the past. Its founders, Brewster Kahle and Bruce Gilliat, developed the Wayback Machine to provide “universal access to all knowledge” by preserving archived copies of defunct web pages.

Since its creation in 1996, over 603 billion pages have been added to the archive….

https://en.wikipedia.org/wiki/Wayback_Machine

If you’ve never heard of the Wayback Machine on the Internet, you may have come across the phrase from the Rocky and Bullwinkle Show on television, starting in the 1960s (I watched it on Saturday-morning-cartoons). The Rocky and Bullwinkle show had a short cartoon, “Mr. Peabody’s Improbable History”, which featured a Time Machine known as The Wayback Machine.

Mr. Peabody, a talking, genius dog, is the grownup, taking care of a young boy named Sherman. They use the Wayback Machine to go back in time to correct history. Here’s the intro on Youtube:
https://www.youtube.com/watch?v=6V7M4AfTOrw

Luckily I only wasted about 20 minutes finding, then watching, the intro and an episode of “Mr. Peabody’s Improbable History”.

Nice. You gonna tell us why you’re talking about this today, Keiran?

Yes. Glad you asked.

The Wayback Machine popped into my head because I was thinking about what to post today and remembered a photo I had previously seen on the Internet.

When I post, I look for photos that copyright rules let me show you all. I thought of this great Taliesin exterior that I got off the internet almost 15 years ago. I got the URL, but couldn’t find the image today.

So I went to The Wayback Machine. I put the URL into their archive, and the photo below came up:

Taken from the Hill Crown of Taliesin, looking (true) east at Taliesin’s living quarters. The unknown photographer apparently took this in the spring, based on the green leaves seen on the oak tree on the left hand side of the photograph. Architectural details indicate they took the photo in the 1950s, before Frank Lloyd Wright’s death.

When I found it, I said, “Behold: The Wayback Machine”

Said, most likely, in stentorian tones and accompanied (again, most likely), by a sweep of my arm.

Immediately after this, I thought I should write about this site as well as this on-line image.

Here’s the image through the Wayback Machine:

https://web.archive.org/web/20060127201224/http://studentwebs.coloradocollege.edu/~j_buscaglia/Images/897072.jpg

You see the name “j_buscaglia” in the location information for the image. I have attempted to locate “Buscaglia”, the person who had uploaded this image when they were, perhaps, learning HTML coding, etc. as a student. Years ago I found an email address for them at Colorado College and wrote them, but they never replied. Moreover, I never found information about the web page or anything else. So this is perhaps an “orphaned” image.

Things I find interesting in the photo:

You can see details to the right of the pine tree (detail, below).

A cropped view of the Garden Room

These are the west and south walls of “the Garden Room” in Taliesin’s living quarters. The south wall of the Garden Room has beige/yellow stucco, to the right of the French doors. Next to it is a tree trunk, followed by a limestone pier. The pier supports the edge of the balcony. The beige stucco attracted my eye, because there aren’t many photographs of that wall with stucco.

Before 1959, that wall often had tar paper (as waterproofing)

Look here for another photo of that wall with tar paper. This photo comes from the website of Pedro E. Guerrero, Wright’s photographer.

I don’t know why it took so long before Wright covered the tar paper. Although, in truth, the Guerrero photographs of Taliesin come from 1952-53. While Guerrero took many photographs of Wright and the two Taliesins, he worked on retainer. Wright would send the photographer all over the United States to photograph the architect’s newly constructed buildings. As a result, he could rarely visit just to photograph Taliesin.

If you were to go to Taliesin on a tour today, you would see that this wall has, not tar paper, but a stone veneer (here’s a photo of it). That veneer was applied by a member of the Taliesin Fellowship, Stephen Nemtin. He joined the Fellowship as an apprentice after Wright’s death and was asked to do this by Olgivanna Lloyd Wright, the architect’s widow.

I don’t know why the Fellowship veneered the stucco with stone. Maybe the stucco got too wet in the rain, ice, and snow.

Here’s the detail from that color photo again:

A cropped view of the Garden Room

The photo has a white, almost-vertical line underneath the balcony. That line is the trunk from a birch tree that used to grow there. That tree was originally one of a pair. The photograph below shows those two trees. I took this photo from my copy of the book, Wisconsin: A Guide to the Badger State, printed in 1941 as part of The American Guide Series:

Looking from Taliesin's Hill Crown to its living quarters, 1937-1943.

Photograph looking (true) east from Taliesin’s Hill Crown towards its Living Quarters. The birch trees are in the center of the photograph. The roof on the left was later over the Garden Room.

Finding my version of the image:

This book was part of the Federal Writers’ Project. It was a project of the Work Projects Administration in the state of Wisconsin and was sponsored by the Wisconsin Library Association. I took this image from the book, in its photographs between pages 310-311.

The Wisconsin Historical Society has the original image, on-line here.

I found this image, and the book, during another on-line photo-searching project of mine one Friday.1 After finding out about this photograph, and the book in which it was published, I bought the book via abebooks.com.

The book has, among other things, descriptions of driving tours one could take at that time around Wisconsin. The “Madison to Richland Center” drive is “Tour 20”. The book’s write-up gives a brief history of Taliesin, as well as telling you that you can take a tour at Taliesin (really, the Hillside Home School) for $1. In addition it tells you that you could take in a “moving picture, Sun. 3 p.m., included in tour fee; otherwise 50¢ per person.

The birch trees grew there over 15 years, but Wright’s expansion of the room above killed them: the new construction meant that the trees now grew through an interior room. Perhaps he did this just because he wanted to see the effect (and not worry about killing them). In fact, this was not the first time Wright’s expansion of his home killed a tree: his expansion at his first home and studio in Oak Park, Illinois, resulted in the death of a Willow tree.

I hadn’t planned it, but it seems that we stepped into an example of what Bertrand Goldberg characterized as “romantic kitsch” at Taliesin (relayed in my post of May 17, 2021).

Originally published on September 9, 2021.


Notes:

1 I wrote in early December, 2020 about some of my photo searching.

Some ouroboros for you:

Shortly after I posted this, the Internet Archive recently sent me a link to a 2:04 min. video from 1996, in which the Internet Archive staff explained the newly-created Wayback Machine.